Arnold, Frank Thomas. “Preface.” In The Art of Accompaniment from a Thorough-Bass, xi-xvi. Mineola, NY: Dover Publications, 1965.

Barbieri, Patrizio. “On a Continuo Organ Part Attributed to Palestrina.” Early Music 22, no. 4 (1994): 587–605.

Beck-Slinn, E. 100 Graded Exercises in Vocal Score Reading. London: A. Weekes and Co., 1906.

Bertalot, John. Immediately Practical Tips for Choral Directors. Minneapolis: Augsburg Fortress, 1994.

Bridge, J. Frederick. Organ Accompaniment of the Choral Service. London: Novello and Co., 1885.

Boyd, Charles N. Organ Accompaniment and Registration. 2 vols. Philadelphia: Theodore Presser Co., 1932.

Buck, Dudley. Illustrations in Choir Accompaniment with Hints in Registration: A Hand-Book. New York: G. Schirmer, 1888.

Burkholder, J. Peter, Donald Jay Grout, and Claude V. Palisca. A History of Western Music. 8th ed. New York: W.W. Norton and Company, 2010.

Clark, J. Bunker. “A Re-Emerged Seventeenth-Century Organ Accompaniment Book.” Music & Letters 47, no. 2 (1966): 149–152.

Coleman, Henry. The Church Organist. London: Oxford University Press, 1955.

Conway, Marmaduke P. Church Organ Accompaniment. London: The Canterbury Press, 1952.

De Quadros, André, ed. The Cambridge Companion to Choral Music. New York: Cambridge University Press, 2012.

Demarest, Clifford. Hints on Organ Accompaniment. New York: The H.W. Gray Company, 1910.

Ellingford, Herbert F. The Art of Transcribing for the Organ. New York: The H.W. Gray Company, 1922.

Fetis, F.J. Treatise on Accompaniment from Score on the Organ or Pianoforte. Translated by Alfred Whittingham. London: William Reeves. Publication date unknown.

Fielding, Robert. Tutor Book for Volunteer Organists. Lexington, KY: CreateSpace Independent Publishing Platform, 2012.

Fishell, Janette. But What Do I Do With My Feet? Nashville, TN: Abingdon Press, 1996.

Fishell, Janette. “From Accompanist to Conductor in Ninety Minutes: Fundamentals of Accompanying and Console Conducting.” Working paper, Jacobs School of Music, Indiana University.

Gardner, George, and Sydney H. Nicholson, editors. A Manual of English Church Music. London: Society for Promoting Christian Knowledge, 1936.

Gleason, Harold. Method of Organ Playing. 8th ed. Edited by Catharine Crozier Gleason. Upper Saddle River, NJ: Prentice Hall, 1996.

Glen, Annie. How to Accompany. New York: Novello, Ewer & Co., 1894?

Goode, Jack C. Pipe Organ Registration. New York: Abingdon Press, 1964.

Grace, Harvey. The Complete Organist. London: Grant Richards Ltd., 1920.

Grill, Joyce. Accompanying Basics. San Diego: Kjos West, 1987.

Grover, Elaine. Keyboard Practice Skills. Colfax, NC: Wayne Leupold Editions, 2002.

Herissone, Rebecca. ‘To fill, forbear, or adorne’: The Organ Accompaniment of Restoration Sacred Music. Aldershot, UK: Royal Musical Association, 2006.

Higginbottom, Edward. “Organ Music and the Liturgy.” In The Cambridge Companion to the Organ, edited by Nicholas Thistlethwaite and Geoffrey Webber, 130–147. Cambridge: Cambridge University Press, 1998.

Hinrichsen, ed. Max. Organ and Choral Aspects and Prospects. New York: Hinrichsen Ed., 1958.

Hodges, Donald A., and David C. Sebald. Music in the Human Experience. New York: Routledge, 2011.

Horton, Peter. Samuel Sebastian Wesley: A Life. Oxford: Oxford University Press, 2004.

Johnston, Gregory S. “Polyphonic Keyboard Accompaniment in the Early Baroque: An Alternative to Basso Continuo.” Early Music 26, no. 1 (1998): 51–64.

Jørgensen, Harald. “Strategies for Individual Practice,” in Musical Excellence, edited by Aaron Williamon, 85–103. Oxford: Oxford University Press, 2004.

Keaney, Helen. Figured Bass for Beginners: A Self-paced Primer in Playing from a Figured Bass. Boston: E.C. Schirmer, 1981.

Keller, Hermann. Thoroughbass Method, translated and edited by Carl Parrish. New York: W.W. Norton & Company, 1965.

Lang, C.S. Score Reading Exercises in 4 and 4 Parts: Book 1. Bury St. Edmunds, UK: Novello, 1949.

le Huray, Peter. “The English Anthem 1580-1640.” Proceedings of the Royal Musical Association, 86th Session (1959-1960): 1–13.

Lindo, Algernon H. The Art of Accompanying. New York: G. Schirmer, 1916.

Litten, Nancy. Choral and Vocal Warm-Ups for Pianists. Essex, UK: 2015.

Morelli, Arnaldo. “The Role of the Organ in Performance Practices of Italian Sacred Polyphony During the Cinquecento.” Musica Disciplina 50 (1996): 239–270.

Morris, R.O. and Howard Ferguson. Preparatory Exercises in Score Reading. Oxford: Oxford University Press, 1931.

Mould, Alan. The English Chorister: A History. New York: Hambledon Contiuum, 2007.

Nevin, Gordon Balch. A Primer of Organ Registration. Boston: Oliver Ditson Company, 1920.

Nicholson, Sydney H. Church Music: A Practical Handbook. London: Faith Press, 1927.

Pearce, Charles William. Organ Accompaniment to the Psalms. London: The Vincent Music Company, Limited. Publication date unknown.

Pearce, Charles William. The Organist’s Directory to the Accompaniment of the Divine Service, With a Full List of Voluntaries Appropriate to Every Sunday and Holy Day in the Christian Year. London: The Vincent Music Company, Limited. Publication date unknown.

Pike, Lionel. “Purcell’s ‘Rejoice in the Lord’, All Ways.” Music & Letters 82, no. 3 (2001): 391–420.

Rainbow, Bernarr. The Choral Revival in the Anglican Church, 1839–1872. Woodbridge, UK: The Boydell Press, 2001.

Rennert, Jonathan. George Thalben-Ball. North Pomfret, VT: David & Charles, Inc., 1979.

Richards, H.W. The Organ Accompaniment of the Church Services: A Practical Guide for the Student. Boston: The Boston Music Co., 1911.

Richardson, A. Madeley. Modern Organ Accompaniment. London: Longmans, Green, and Co., 1907.

Ritchie, George H., and George B. Stauffer. Organ Technique: Modern and Early. New York: Oxford University Press, 2000.

Southbridge, James, comp. Organ Music for the Church Pianist: Practical Service Music and Tips for the Emerging Organist. Dayton, OH: Lorenz Publishing Company, 2006.

Stainer, John. Complete Organ Method. Edited by F. Flaxington Harker. Mineola, NY: Dover Publications, 2003.

Stevens, Denis. “’…the Harmony More Magnificent’. How the Organ as Continuo Lost Its Role.” The Musical Times 132, no. 1786 (1991): 627-631.

Stevens, Denis. Thomas Tomkins 1572-1656. London: Macmillan & Co., 1957.

Tambling, Edward. “The Last Elizabethan: Reconsidering Thomas Tomkins.” Church Music Quarterly (June 2018): 29-31.

Walter, Samuel. Basic Principles of Service Playing. Nashville: Abingdon Press, 1963.

Whiting, Geo. E. Organ Accompaniment and Extempore Playing. Boston: New England Conservatory of Music, 1887.

Willcocks, David. “Preface.” In The Oxford Book of Tudor Anthems, comp. by Christopher Morris. Oxford: Oxford University Press, 1978.

Williams, George W. Jacob Eckhard’s Choirmaster’s Book of 1809: A Facsimile with Introduction and Notes. Columbia, SC: University of South Carolina Press, 1971.

Williams, Peter. A New History of the Organ: From the Greeks to the Present Day. Bloomington, IN: Indiana University Press, 1980.